Defamiliarization - 1099 Words

Defamiliarization What is it? Defamiliarization is the artistic technique of forcing the audience to see common things in an unfamiliar or strange way, in order to enhance perception of the familiar. According to Viktor Shklovsky, a Russian writer who coined the term ‘Defamiliarization’, â€Å"The purpose of art is to impart the sensation of things as they are perceived and not as they are known. The technique of art is to make objects, unfamiliar‟, to make forms difficult, to increase the difficulty and length of perception because the process of perception is an aesthetic end in itself and must be prolonged. Art is a way of experiencing the artfulness of an object; the object is not important.† Defamiliarization vs. Habitualization:†¦show more content†¦To feel that waking is another dream That dreams of not dreaming and that the death We fear in our bones is the death That every night we call a dream. To see in every day and year a symbol Of all the days of man and his years, And convert the outrage of the years Into a music, a sound, and a symbol. To see in death a dream, in the sunset A golden sadness--such is poetry, Humble and immortal, poetry, Returning, like dawn and the sunset. Sometimes at evening there s a face That sees us from the deeps of a mirror. Art must be that sort of mirror, Disclosing to each of us his face. They say Ulysses, wearied of wonders, Wept with love on seeing Ithaca, Humble and green. Art is that Ithaca, A green eternity, not wonders. Art is endless like a river flowing, Passing, yet remaining, a mirror to the same Inconstant Heraclitus, who is the same And yet another, like the river flowing. Here, we clearly see how language is used to create the apparent confusion in reading which prolongs the time taken to absorb this piece of writing by the reader. The way in which time, a river, water and human beings are connected with very clearly noticeable connections and the way in which the connected words are repeated twice, makes us ponder on the associations, make an extra effort to understand the significance of them. May be a flowing river and time can be easily connected, nothing unusual in it, but the familiar is defamiliarized in terms of feel byShow MoreRelatedDefamiliarization in Relation to Winfred Owens Poem Anthem for Doomed Youth726 Words   |  3 Pages In this Essay I will discuss defamiliarization in relation to Wifred Owen’s poem â€Å"Anthem for Doomed Youth†. I will examine how his use of defamiliarization affects the reader in their understanding of the poem. To defamiliarize is to â€Å"make (something) unfamiliar or strange† (Definition of Defamiliarize. www.oxforddictionaries.com. 29 Nov 2013). This involves making the words seem different to the reader that they have a hidden meaning, it makes it strange to the reader. It encourages the readerRead MoreThe Poetry Of Billy Collins861 Words   |  4 Pagesability to defamiliarize commonplace subjects is the crux of Collin’s talent. The defamiliarization of ordinary life, written in prose poetic form, is what makes his poetry both accessible and exceptional. Defamiliarization is a term first coined by the literary theorist Viktor Shklovsky to explain the poetic method of creating an unfamiliar description of a familiar thing. The traditional method of defamiliarization takes an object or experience that would usually go unnoticed and describes it inRead MoreLook Back in Anger Play Analysis Essay935 Words   |  4 Pagesold Empire, hence the title â€Å"Look back in anger†. I am going to discuss the concept of Schkolvsky, Defamiliarization, applied on this play written by John Osborne. Defamiliarization is a technique, found in art, which presents familiar things and actions as we have just discovered them. It has been the main criteria for modern writers in creating literature. In this play, defamiliarization is found almost everywhere, family life, characters, and relationships. It offers a fresh perspectiveRead MoreThe Master And Margarita By Mikhail Bulgakov1640 Words   |  7 Pagesthe more obvious characters he chooses to focus on defamiliarizing is Pontius Pilate and his relationship that develops between him and Yeshua Ha-Nozri, Pontius Pilate is a representation of an authoritarian ruler in the novel. Bulgakov uses defamiliarization of the Pilate and Yeshua relationship, the character of Pilate in the novel, and morality versus survival to show the effect of the systems on the rulers during this time. In both the story line with The Master and the story line on PontiusRead More Linking Magical Realism and the Sublime in A Very Old Man with Enormous Wings1022 Words   |  5 Pagesthe first place seems very acceptable to the characters, and this nonchalance is conveyed to the reader. To take an idea or an object that one is familiar with and distorting that image into something unfamiliar is called defamiliarization (Simkins 150). This use of defamiliarization is a very important characteristic of both Magical Realism as well as the Sublime. An angel is something with which most are somewhat familiar; however, Marquezs angel is a completely different type of angel. One expectsRead MoreEssay on Analysis of The Metamorphosis1033 Words   |  5 Pagesthe family has nothing to do with Gregor. They turned on him when he needed them. This feeling of worthlessness kills him. Kafka uses defamiliarization in his fantastic story even though it is a characteristic of magical realism. Magic Realists use defamiliarization to radically emphasize common elements of reality (Simpkins 150). Kafka uses defamiliarization through telling the story of Gregor. Gregor, a workaholic, who always tries to do what is best for his family makes himself miserable inRead MoreMedia Project1616 Words   |  7 PagesArt as Technique 1. Defamiliarization is stripping objects or subjects from their individual or â€Å"familiar† characteristics and giving them unusual or â€Å"unfamiliar† traits to allow the reader to see it in a whole new perspective. An example of this is in Tolstoys defamiliarization of spanking, explaining the act as â€Å"to strip people who have broken the law, to hurl them to the floor, and to rap on their bottoms with switches.† The crude description removes the disciplinary context it had andRead MoreThe Is Not A Story Of Slavery, And Evidence From Close Reading1353 Words   |  6 PagesOlivia Butler writes in her afterword that â€Å"Bloodchild† is not a story of slavery, and evidence from close reading can be used to support this statement. Butler uses the human form as a vehicle for defamiliarization to show the mechanical functions humans use to serve themselves and others. Furthermore, this process is able to reveal their passive nature and ultimately highlight the human allowance for manipulation. She brings light to these behaviors by showing a lack of respect for human life,Read MoreThe Road Not Taken967 Words   |  4 Pagesback. (15) I shall be telling this with a sigh Somewhere ages and ages hence: Two roads diverged in a wood, and I— I took the one less traveled by, And that has made all the difference. (20) Formalism deals with ‘literariness’ and ’defamiliarization’ aspects. The aspects differ literary from the other kinds of writing. In formalism, a poem can be analyzed scientifically by looking at the devices. This paper analyzes The Road Not Taken by Robert Frost by explaining the poetry devices. Read MoreAnalysis Of Michael Sliwinski s The Globalization Of Cinema3189 Words   |  13 Pagesfreer camera movement, the film s images become more powerful and beautiful. X.2 Participation of Defamiliarization Formalist had come up defamiliarization theory. Viktor Shklovsky ï ¼Ë†1917ï ¼â€°argues that the purpose of poetry is to reverse the process of habituation, to creatively destroy the standard that people are accustomed to, and to reconstruct ordinary senses of the real world. But defamiliarization theory needs to be based on some familiar material. In the absence of necessary counterparts and